MPES Logo StrongMan

« Performing a Slip Edit on Multiple Clips in Final Cut Pro 5 | Main | Learn Video Streaming and Compression Basics »

February 13, 2006

Avid takes on King Kong

kingkong.gifWhen it comes to editing the big movies nothing can compare with King Kong and the power of Avid to handle it. King Kong is one beauty of a beast. With more than 3,200 final shots culled from 3 million feet of live-action footage and thousands of visual effects shots, taming this film in post was a gargantuan task, especially considering that it was shot and edited in just 18 months.

"For a project of this scale, no other systems could have done it," says Avid editor Jabez Olssen about the multiple Avid editing and shared-storage systems used to cut director Peter Jackson’s three-hour remake of the 1933 classic. The makers of King Kong called upon all of Avid’s products to get this massive job completed in the time allotted. Working with Academy Award winning editor Jamie Selkirk (Lord of the Rings: Return of the King) on the film, Olssen and a team of more than 10 assistants relied on a massive deployment of Avid gear.

Nine Avid Media Composer Adrenaline systems, two Avid Unity MediaNetwork shared-storage solutions with 9.6 TB each, and an Avid Xpress Pro system were used by production company Big Primate Pictures for picture editing, while Weta Digital, the film’s visual effects house, used two Media Composer Adrenaline systems linked through the Avid Unity LANshare shared-storage solution with 4 TB for visual effects editing. Check out the rest of this story at Avid's site.

Posted by MovingPicture at February 13, 2006 01:43 PM

for your information
E-mail your comments/suggestions to <davidwells@movingpic.com>
Copyright © 2005 Moving Picture Electronic Services. All rights reserved.
All company and product names mentioned may be trademarks of their respective owners.