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December 27, 2005
Quick Audio Tip For Shooters
For all of you Final Cut Pro artists out there who also shoot, the next time you are out in the field and you have only one performer on mic at a time, try recording your mono audio into both channels of your camera. The only difference is let channel one be your main input and pot down channel two to a lower db. This will give you some room in post to salvage an area where the host may have shouted or raised his or her voice creating a hot level.
Posted by MovingPicture at December 27, 2005 05:08 PM

