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In this issue of the Producer's Cheat Sheet™:

The Producer's Cheat Sheet™ Tip


Everyone,

I thought this would be a great topic for this month's Cheat Sheet. I asked Scott Taylor, one of the top production insurance experts in the country, to write a comprehensive article on the subject.

All The Best,

David Wells Signature
David Wells
President, Moving Picture Electronic Services

Production Insurance. Are You Covered?
camera lifesaver
This is an abbreviated version of an article written by Scott Taylor, President of Taylor & Taylor Associates, Inc., and Taylor & Taylor, Ltd.

To read the entire article, click here.

Workers Compensation
     This is the insurance that covers your cast and crew (employee) for injury while on the job, or such sickness or injury, which is job related.  An employee is basically anyone under your direct supervision and control, regardless of the number of days worked for you, and regardless of whether or not you are withholding taxes.
     Workers compensation will usually cover a U.S. employee working in a foreign country, but only for a short period time.  Foreign Voluntary Workers Compensation should be used for U.S. employees working in foreign countries for longer periods of time, or if the employee is brought in from a foreign country. 
     For a foreign employee hired and working in their native country, work with the social insurance system in their country by way of payroll taxes, or purchase workers compensation and employer's liability in the countries that do not have social insurance. The best way to hire foreign employees is through a foreign production company that has secured the necessary coverage by way of payroll taxes, or a domestic workers compensation policy in that country.
     It is suggested that all film production companies maintain a separate workers compensation policy even if they are using a payroll service.  There will be an occasional person who the Workers Compensation Board will determine is in actuality an employee and whose payroll has not been put through the payroll service.  In the event the employee who has not been paid through the payroll service is injured, you need to have had a workers compensation policy in force.

Statutory Disability Benefits
     Covers employees for a statutory amount in the event they get hurt or sick while off the job.  This is mandatory coverage in New York, New Jersey, Rhode Island, Puerto Rico, Hawaii and California.  If you are using a payroll service, it is important to verify that they have secured this coverage.

Commercial General Liability
     This policy basically covers trips and falls.  It covers a film production company for bodily injury and property damage claims brought by others as a result of their negligence.  In the event there is no negligence on the part of the film production company there is a $5,000 medical expense limit that will be available on a gratuitous basis.
     It’s recommended that Foreign Commercial General Liability should be secured if you’re shooting outside the U.S. and Canada.

truck parachute Non-Owned & Hired Automobile Liability
     Protects against claims resulting from the use, loading or unloading of non-owned and hired automobiles.  Coverage is limited to the United States, its Possessions and Territories and Canada.  Coverage excludes physical damage to the automobile being driven.  For that, you will need Hired Automobile Physical Damage, which protects against physical damage to hired automobiles.  Coverage may be limited to the United States, its Possessions and Territories and Canada (Check your policy to determine the policy territory).
    Some policies sold to production companies contain a maximum limit per automobile or truck of $125,000.  This limit is inadequate when using certain cranes and camera cars.  Therefore, camera cars and cranes are best covered under the Miscellaneous Equipment or Hired Vehicle Physical Damage section of a Production Package policy.
     If you’re shooting outside the U.S. or Canada, it’s recommended to secure Foreign Non-Owned & Hired Automobile Liability and Physical Damage.

 

Film Production Package Policy (Usually Worldwide)
     This policy includes:

film fire extinguisher
  •   Negative Film & Videotape - Covers the actual cost to reshoot the film as a result of fire, theft, water damage or lost film.  There is no coverage for weather days during the reshoot.
  •   Faulty Stock, Camera & Processing Errors - Covers the actual cost to reshoot the film as a result of bad film, camera malfunction or lab errors.  There is no coverage for weather days during the reshoot.
  •   Props, Sets & Wardrobe - Covers props, sets & wardrobe used in a commercial.  Jewelry, furs, fine arts, antiques and objects of art usually have a sub-limit of $5,000 to  $25,000.  Please note: Props, Sets & Wardrobe coverage does not afford any animal mortality coverage.  Animal mortality coverage can be added by endorsement.  
  •   Extra Expense - Covers those expenses incurred above and beyond what would have otherwise been incurred as a result of direct damage to property being used in the production.  Please note that there are many exclusions in this section.  For example: changes of temperature, dampness of atmosphere, damage to property stored in the open, loss of use of animals, breakage of glass or fragile materials and mechanical breakdown of other than cameras, sound equipment, and generators; providing this endorsement has been added.
  •   Miscellaneous Equipment - Covers the actual equipment being used to film including cameras, lights, grip and generators.  Please note, this coverage can be extended to include physical damage to production vehicles and automobiles.  At the very least, the coverage should be extended to include camera cars and cranes. Owned equipment is also covered under this section.
  •   Third Party Property Damage - Covers that property not specifically covered under Negative, Film & Videotape, Props, Sets or Wardrobe, Miscellaneous Equipment or Office Contents that are in the insured's care, custody and control. This coverage usually applies to property being moved out of the way on the location and in many instances to the location itself.
  •   Loss of Use coverage for film or video rented equipment is provided in either the miscellaneous equipment or third party property damage section.  The various entertainment insurance carriers include this coverage under different sections of their production policies.
  •   Office Contents - Covers desks, computers, telephones, furniture and improvements & betterments.

     There are many other types of insurance a producer could use, including coverage for aircraft, watercraft, weather, railroad, and more.  Click here to read the entire article by Scott Taylor.
     Scott Taylor is President of Taylor & Taylor Associates and Taylor & Taylor, Ltd.  They have provided insurance for businesses and individuals for over 50 years, and specialize in film, TV and video production insurance.  For more information, call (212) 490-8511 (NYC) or (310) 826-7200 (Los Angeles), or visit www.taylorinsurance.com.


Moving Picture Provides Equipment and Manpower For a 4 Camera HiDef Shoot.

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Dion Money Management: Video Newsletter - "Town Hall Meeting"
- Production Company: Whistlestone Productions, Dir.: Clark Morton

Productions for the web are mainstays for marketing companies worldwide, but it is often difficult to justify large budgets when home-made videos abound on countless public video sharing sites. Some companies, however, require a much greater public professional presentation.
In the case of Dion Money Management, their message would be distributed via the web AND a 60,000 DVD release. When Director Clark Morton and Whistlestone Productions contacted Moving Picture to equip and crew their latest project, they were looking for a winning combination of high production quality and low cost. Moving Picture got it done.
Poor lighting, and inferior cameras are the most obvious mistakes when creating web video content. To ensure the highest quality, Moving Picture provided four Panasonic HDX900 DVCPro HD camcorders, along with a full 5 Ton Grip Truck. The cameras were outfitted for studio shooting with auxillary zoom and focus controls, as well as camera-mounted HD operator monitors and a Clear-Com system, so that direction could be given from behind a bank of 14" HD monitors. An inexpensive skateboard dolly added a subtle move that brought the whole production together.

The Hosts Behind The Scenes
Your hosts: (From left to right) Phil Orlando, Chief Equity Market Strategist at Federated Investors, Moderator Deborah Ball and Don Dion, Dion Money Management Founder and Chief Investment Officer.
Finding the shot.

Whistlestone also requested a downconverted standard definition DVCAM master be recorded along with the in-camera HD tapes. All cameras along with four DVCAM decks were genlocked with common timecode and received audio from a Sound Devices 442 mixer via audio DA.

Rehearsal Director's station
Director Clark Morton rehearses with the cast.
Director's station.

Contact Clark Morton at Whistlestone Productions at cemort@gmail.com.

For the Town Hall video go to: Dion Money Management's Website.

New Moving Picture Rental Inventory

Sony PMW-EX3 XDCAM SxS Camcorder

sony pmw-ex3 camera

In stock now and ready to rent!
Rents with video lens OR adapts to film lenses!

The PMW-EX3 offers all the great features of the PMW-EX1 in a new semi-shoulder design. In addition, the camcorder also features an interchangeable lens system, genlock, timecode and remote control capability for real added flexibility, offering a low-cost HD studio solution.
The PMW-EX3 combines a state-of-the-art, non-linear XDCAM workflow with simply the best HD quality yet seen in a semi-shoulder camcorder. It is also the first semi-shoulder camcorder to carry the legendary CineAlta 24P brand with multiple frame rate recording capability such as 59.94i, 50i, and native 23.98P, as well being 1080i/720P switchable.

Click here to find out more about the MPES inventory of HD camcorders including the Panasonic HDX900, Panasonic HVX200, Sony PMW-EX1 and Sony HVR-Z1U.

 
HDCAM!!

Sony HDWD1800

HDCAM HDW-D1800 studio editing recorder with Digital Betacam and MPEG IMX formats legacy playback. Capable of Recording and playback HDCAM 1080/59.94i, 50i, 25PsF, 29.97PsF, 23.98PsF and 24PsF formats. 3-2 pull down is available by using option board HKDW-104. A color LCD panel on the control panel displays various type of information including audio level meter and time data. The LCD unit also displays video when playback or recording. Built-in down converter enables to output 480/59.94i or 576/50i. Also Up converter enables 1080/59.94i or 1080/50i HD output from Digital Betacam or MPEG IMX tape playback.

AVID Rentals
AVID Media Composer Adrenaline, can be custom configured and set up by MPES ACSRs at your location for full res HD editing of your next feature, commercial, music video, etc...
Avid Rentals
Specialty Lighting
Light Panels 1x1

Litepanels 1x1, the most versatile production light ever built. Combining Litepanels' hallmark LED technology in a sophisticated, slimline housing, this revolutionary modular lighting system provides 1'x1' of pure, luminous, soft, directional output.

Kino Flo Diva-Lite 400 portable softlights boast the company’s trademark modular fixture designs with full-range dimming, switching and remote control features. The Universal model can be used anywhere in the world from 90VAC to 265VAC. All Diva-Lites can go from nighttime to daytime interiors by switching True Match® tungsten for daylight quality lamps. It’s like having two set-ups in one! Kino Flo Diva Lite 400
2-WAY COMMUNICATIONS
Motorola Walkie Talkies and accessories
Including FBI Style ear mic systems for that “undercover look”, Noise Canceling headsets, Handmics, and Spare Batteries (FREE!)
Motorola Walkie CP-200

See the rest of our inventory at MovingPicture.com

iPhone 3G

Win a FREE Apple iPhone 3G!

Every time we send out a Producer's Cheat Sheet™, we give away a free gift, and all you have to do to enter, is fill out a quick survey about how helpful this newsletter is to you. To enter just click here and answer a couple of simple questions. The winner will be announced in our next Producer's Cheat Sheet™ News.

One (1) person, randomly drawn from the first 2000 eligible participants who submit a correctly completed entry form, will receive one (1) Apple iPod 3G. The winner will be notified by email. Conduct of the contest and selection of the winner is in Moving Picture's sole discretion, and Moving Picture's decisions are final and binding. Moving Picture will be the sole arbiter in any dispute. Prizes are non transferable. All Federal, Provincial, State, and/or local taxes related to the prize awarded are the sole responsibility of the winner. No alternative prize, cash equivalent, or other substitution is permitted.

About MPES

Since 1987, Moving Picture Electronic Services has been a leader in the rental and support of video equipment, Avid editing systems, lighting, location audio, video assist and video camera crews.
We live and breathe Avid, location audio, and video equipment rental everyday. We provide "on-site" certified support for Avid rental or video equipment rental in Florida - or anywhere else in the United States and Caribbean. If you need to rent an Avid Adrenaline, Avid Media Composer, Avid Unity, Video Cameras, Video Recorders, Lighting, or Walkie Talkies, we can ship today!

Contact us
Moving Picture Electronic Services
Fort Lauderdale, Florida
(954) 522-1361

web: www.movingpicture.com
email:
David Wells, President, davidwells@movingpicture.com
   

The preceding material is provided for information purposes only. You have received this information because you have expressed interest in MPES through any of several different venues. MPES does not assume responsibility with regard to the selection, performance, or use of any products mentioned. All understandings, agreements, and/or warranties, if any, take place between the manufacturers and the prospective users. MPES is not responsible for typographical errors, and all offers are subject to change without notice. Copyright © 2008-2009 Moving Picture Electronic Services. All rights reserved.
All company and product names mentioned may be trademarks of their respective owners.

September 2008

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